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The Catalog

A complete and concise collection of Martin instruments.

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Limited Editions & New Models

This catalog features exciting Limited Edition models and new instrument offerings.

cat pricelist

Retail Price List

The Retail Price List contains all current instrument models. The guitar of your dreams is within your budget. 

00-42SC John Mayer

OM-ECHF Navy Blues

C. F. Martin and John Mayer join forces again to create a follow up to last year’s custom model that is more affordable and accessible to meet high customer demand.

D-35 Seth Avett

Strings Catalog

C.F. Martin Strings are engineered by guitar players, for guitar players with the same care and compassion that we pour into making all of our fine instruments.

Neck Width/Shapes

Low Oval
Cross section taken at the first fret.

Cross section taken at the tenth fret.

 

Available Sizes
Width at Nut
Width at 12th Fret
1 11/16”
2 1/8”
1 7/8”
2 5/16”
Modified Low Oval
Cross section taken at the first fret.

Cross section taken at the tenth fret.

 

Available Sizes
Width at Nut
Width at 12th Fret
1 11/16”
2 1/8”
1 3/4”
2 1/4”

 

Low Profile
Cross section taken at the first fret.

Cross section taken at the tenth fret.

 

Available Sizes
Width at Nut
Width at 12th Fret
1 11/16”
2 1/8”
1 3/4”
2 1/4”
1 7/8”
2 5/16”

 

Modified V
Cross section taken at the first fret.

Cross section taken at the tenth fret.

 

Available Sizes
Width at Nut
Width at 12th Fret
1 11/16”
2 1/8”
1 3/4”
2 1/4”
1 13/16”
2 5/16”
Performing Artist
Cross section taken at the first fret.

Cross section taken at the tenth fret.

 

Available Sizes
Width at Nut
Width at 12th Fret
1 3/4”
2 1/8”
Tenor
Cross section taken at the first fret.

Cross section taken at the tenth fret.

 

Available Sizes
Width at Nut
Width at 12th Fret
1 1/4”
1 1/2”

Tone/Wood

Side Woods
Brazilian Rosewood
BRAZILIAN ROSEWOOD
DALBERGIA NIGRA
Highly resonant, with full, deep basses and brilliant trebles. Rare, expensive, though occasionally available on limited edition and custom models.

East Indian Rosewood
EAST INDIAN ROSEWOOD
DALBERGIA LATIFOLIA
Very resonant, with a deep warm bass. Sources of supply have been well managed, reliable and of consistently high quality.

Hawaiian Flamed KOA
HAWAIIAN FLAMED KOA
ACACIA KOA
Bass response slightly less than East Indian Rosewood and treble response a bit less than genuine mahogany. Balanced, clear tone is only outshone by the beauty of its honey-rippled grain.

Figured Mahogany
FIGURED MAHOGANY
SWIETENIA MACROPHYLLA
Beautiful and rare (often quilted) variety of genuine mahogany occurs in a very small percentage of mahogany trees. Though difficult to bend, figured mahogany shares the same tonal properties of the unfigured mahogany.

Genuine Mahogany
GENUINE MAHOGANY
SWIETENIA MACROPHYLLA
Much lighter in weight than rosewood, koa or maple. Yields a surprisingly strong, loud sound with an emphasis on clear, bright airy trebles.

Genuine Mahogany
GENUINE SAPELE
ENTANDROPHRAGMA CYLINDRICUM
Similar in appearance and tone to Genuine Mahogany, Sapele exhibits a powerful midrange, great punch and bright and airy trebles.

Figured Claro Walnut
FIGURED CLARO WALNUT
JUGLANS CALIFRONICA JUGLANS HINDSII
Similar in density and grain structure to Hawaiian koa. Walnut yields excellent balance with tonal characteristics that fall between rosewood and mahogany.

Quilted Maple
QUILTED MAPLE
ACER MACROPHYLLUM
Quilted maple is of the Pacific northwestern “bigleaf” variety and is less dense than the European hard maple varieties. The tone is slightly darker and warmer.

Flamed Maple
FLAMED MAPLE
ACER PSEUDOPLATANUS
Also called Fiddleback or Tiger Maple. Traditional tonewood for violins. Highly dense and reflective, wood yielding a loud, projective, and sustained tone.

Birdseye Maple
BIRDSEYE MAPLE
ACER SACCHARUM
Typically forested from hard maple stands in the midwest and northeast USA. Relatively rare figuring displays tonal properties similar to flamed maple.

Cherry
CHERRY
PRUNUS SEROTINA
Density and reflectivity approach that of maple. Cherry produces a rich, projective midrange and balance without favoring the bass or treble frequencies. Vibrant, beautiful grain.
Top Woods
Sitka Spruce
SITKA SPRUCE
Picea Sitchensis
Extremely vibrant providing an ideal “diaphragm” for transmission of sound on any size and style of stringed instrument. Primary top wood for Martin guitars. Chosen for its straight, uniform grain, longevity and tensile strength.

Engelmann Spruce
ENGELMANN SPRUCE
Picea EngelmannII
Prized for its similarity in color to European (German) white spruce as well as its extreme lightness in weight which seems to produce a slightly louder, more projective or “open” sound than Sitka spruce.

Italian Alpine Spruce
ITALIAN ALPINE SPRUCE
PICEA ABIES
Trees grow very slowly at such high elevations that the annual rings are generally closely and evenly spaced. Wood is light enough to vibrate freely yet strong enough to withstand the tension of steel strings. Attributes similar to red spruce, it’s powerful, clear and vibrant.

Red Spruce
RED SPRUCE
PICEA RUBENS
Characteristics similar to high elevation European alpine spruce. Red spruce was abundant in the 1930s and used on Martin guitars of that era. Its extraordinary tone, prized for its projection and tonal clarity, has created a resurgence of demand for “Adirondack” spruce.

 

Bracing Patterns

Bracing Patterns
Standard Bracing
Standard "X" Non-Scalloped

Non-scalloped bracing allows the top to vibrate yet keeps it stable.
Utilized on guitars constructed with a dovetail neck joint.


Standard Scalloped Bracing
Standard "X" Scalloped

Removal of select brace material reduces brace mass. The top vibrates more freely yet remains stable.
Utilized on guitars constructed with a dovetail neck joint.


Hybrid Bracing Scalloped
Hybrid "X" Scalloped

Incorporates scalloped bracing with A-frame technology.
Utilized on guitars constructed with a Mortise/Tenon neck joint.


A-Frame Bracing
A-Frame "X"

A-frame adds strength to the top. Angled bridge plate creates a "Box" under the bridge.
Utilized on guitars constructed with a Mortise/Tenon neck joint.


X-Series Bracing
X-Series "X"

Used on HPL tops. Balances spruce X bracing with graphite plates and an aluminum U-channel brace to achieve the ultimate in tone and stability.

Size/Type

14-FRET 14-FRET 12-FRET 15-FRET 15-FRET
6 STRING 12 STRING 6 STRING 12 STRING BARITONE
O
Total Length 37 3/4"
Body Length 19 1/8"
Body Width 13 1/2"
Body Depth 4 1/16"
O Tenor
Total Length 35 1/4"
Body Length 17 1/8"
Body Width 13 9/16"
Body Depth 4"
OO THIN BODY
Total Length 38 5/8"
Body Length 18 7/8"
Body Width 14 5/16"
Body Depth 3 1/4"
OO
Total Length 38 5/8" 37 3/4"
Body Length 18 7/8" 19 5/8"
Body Width 14 5/16" 14 1/8"
Body Depth 4 1/8" 4 1/16"
OO DEEP BODY
Total Length 38 5/8"
Body Length 18 7/8"
Body Width 14 5/16"
Body Depth 4 5/8"
OO SLOPED SHOULDER
Total Length 39 9/16"
Body Length 19 7/16"
Body Width 14 3/4"
Body Depth 4 1/8"
OOO (also OM)
Total Length 39 13/16" 39 5/8"
Body Length 19 3/8" 20 9/16"
Body Width 15" 15"
Body Depth 4 1/8" 4 1/8"
Grand Performance
Total Length 40 3/8"
Body Length 19 3/4"
Body Width 15 3/4"
Body Depth 4 1/2"
OOOO (also M)
Total Length 40 5/8"
Body Length 20 1/8"
Body Width 16"
Body Depth 4 1/8"
D
Total Length 40 1/2" 41 3/4" 39 7/8"
Body Length 20" 20" 21"
Body Width 15 5/8" 15 5/8" 15 5/8"
Body Depth 4 7/8" 4 7/8" 4 7/8"
J
Total Length 40 5/8" 41 7/8"
Body Length 20 1/8" 20 1/8"
Body Width 16" 16"
Body Depth 4 7/8" 4 7/8"
Grand J
Total Length 41 1/2" 42 5/8" 43 3/8"
Body Length 21" 21" 21"
Body Width 17" 17" 17"
Body Depth 4 7/8" 4 7/8" 4 7/8"
BASS CLASSIC MINI SOPRANO UKE
Total Length 48 1/4" 39 1/4" 33" 21"
Body Length 20 1/8" 19 1/2" 16" 9 7/16"
Body Width 16" 15" 11 1/4" 6 3/8"
Body Depth 4 7/8" 4 9/16" 3 7/8" 2 5/16"
STAUFFER LXM/LX1 CONCERT UKE TENOR UKE
Total Length 39 1/4" 34" 23 1/4" 26 1/4"
Body Length 19 9/16" 15" 11" 12 7/8"
Body Width 14 1/4" 12" 7 5/8" 8 15/16
Body Depth 4 1/8" 3" 2 3/4" 2 7/8"

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  1. Features/Materials
 
 
 
 
 
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