The early Martin guitars were totally hand-crafted products, made on a one-by-one basis, and there was little standardization. However, there were a few features that commonly incorporated in most of C. F. Martin’s instruments. Until the mid-1840s, Martin guitars were characterized by a headstock that had all the tuning keys on one side. Martin acquired this design from his teacher in Vienna, Johann Stauffer. The headstock design with all the tuning keys on one side was discontinued by Martin and went unused until Leo Fender resurrected the design in 1948 with his Telecaster guitar.
Another feature of the early Martin guitars was an adjustable neck. A screw mounted in the back of the heel of the neck was extended into the neck block. At the top of the dovetail (where the neck joins the body) there was a wooden fulcrum about which the neck could pivot up and down. With the strings attached, the neck could be adjusted via a clock key inserted into the heel. While the adjustable neck allowed the player to adjust the playing actions of the guitar, the device was complicated and prone to slipping under full string tension. So gradually, Martin phased out this unique neck adjustment.
The 1850s also witnessed one of C. F. Martin’s major design innovations, the "X" bracing system for the guitar top. Still in use today on all steel-string Martin guitars, the bracing system is largely responsible for the distinctive Martin tone, characterized by brilliant treble and powerful bass response.
C. F. Martin, Sr., died on February 16, 1873, leaving to his family and the musical world a fine tradition of guitar making. Succeeding him at the helm of the young company was his son, 48-year-old Christian Frederick, Jr., who was born in Germany. Since relocating from New York City to Nazareth, the Martin Guitar Company had evolved from a one-man operation into a thriving entity employing over a dozen craftsmen. Originally located in the Martin family homestead, Martin guitar operations had expanded to the point where a factory was needed. In 1859, a plant was constructed on the corner of Main and North Streets in Nazareth. Having undergone numerous expansions, the North Street plant is still used today as a warehouse and shipping location for strings and accessories, as well as the site of Guitarmaker’s Connection, a retail supply house for instrument making and repair.
Table of Contents
Chapter 1: The C. F. Martin Story
Chapter 2: Fleeing Restrictive Guilds
Chapter 3: Guitars for Wine
Chapter 4: From Workshop to Factory
Chapter 5: Testing a Young Man's Character
Chapter 6: Education Instead of Sales
Chapter 7: Riding the Ukulele Boom
Chapter 8: Martin Innovations
Chapter 9: An Era of Prosperity
Chapter 10: The Sixth Generation
Chapter 11: Ecological Concerns
Chapter 12: Continuing Adherence to Principles